The Rittenhouse Review

A Philadelphia Journal of Politics, Finance, Ethics, and Culture


Tuesday, November 08, 2005  

GETTING IT WRONG AT THE INQUIRER
(A Continuing Series)
Misplaced Review

I wonder whether anyone at the Philadelphia Inquirer can explain why David Patrick Stearns’s glowing review of the Opera Company of Philadelphia’s production of The Barber of Seville (Il Barbiere di Siviglia, 1816; music by Gioacchino Rossini, libretto by Cesare Sterbini), “From the Opera Company, a ‘Barber’ to Bravo,” appears on the eighth and last page of the paper’s Magazine section today?

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